Memoir and Grief Writing Workshop

Join Clea Roberts and Hospice Yukon facilitator Carlie for a three-part memoir writing workshop: September 25, October 9 and October 23, 2024 from 6-7:30pm.

Memoir can be a powerful way to process grief, honour a loved one, and support legacy projects during anticipatory grief. The workshop will provide an opportunity to:

  • Explore different writing exercises and styles

  • Develop your understanding of memoir through various readings and discussions on writing, grief and memory.

This is a free workshop but registration is required. Details on Hospice Yukon’s website: https://hospiceyukon.net/en/2024/08/27/memoir/

The Wind Telephone

Clea gave this talk on grief and Itaru Sasaki’s wind telephone at the 2023 Hospice Yukon Lights of Life Ceremony:

I take great comfort each year in Hospice Yukon’s Lights of Life. This compassionate community event brings us all together to honour our losses, while holding space for each person’s individual and unique grief. We all grieve in our own way and I’m glad Hospice Yukon is here to help with their various programs and services. This year, Hospice Yukon introduced a new offering—the wind telephone.

The idea of the wind telephone came from the village of Otsuchi in Japan. In 2010, Itaru Sasaki installed a vintage phone booth in his garden overlooking the Pacific Ocean. At the time, Mr Sasaki was grieving the recent loss of his cousin. The phone booth was white. It had many windows, a weathered copper roof and sat next to a cherry tree. Inside the booth was a rotary dial phone that was left unconnected to any landline. It became the place where Mr Sasaki would go to speak with his deceased cousin. The wind carried his words, helped him to articulate his grief and to feel a connection with the cousin he had lost.

The following year, when a tsunami struck Japan’s north-east coastline and killed more than 15,000 people, Mr Sasaki made his wind telephone available to whoever needed it. The wind telephone became a place of pilgrimage for people who wanted to talk to their dead relatives and friends. It offered a way to say things left unsaid when loved ones had been taken so suddenly and unexpectedly. Since Mr Sasaki made his private wind telephone public, it has given comfort to tens of thousands of Japanese and international visitors, who felt the deep need to express themselves in conversation with those they had lost.

Today the phenomenon of the wind telephone has spread beyond Japan. Wind telephones have appeared on continents around the world in nature preserves, church yards and even along the sidewalks of residential neighbourhoods. Whether our tragedy is public or private, whether it involves one person or thousands, whether it happens close to home or far away, whether it is sudden or anticipated, the need to find connection with those who have passed is universal. Grief is a human condition that doesn’t differentiate between race, culture, religion, income or gender and I think the growing prevalence of wind telephones speaks to that.

The wind telephone is both a magical and a practical device. When death severs our connection with a loved one, the wind telephone offers a way to reconnect by encouraging our self-expression. Self-expression plumbs our depths to externalize grief. Doing so lets us see our grief for what it is—something that is significant, complex, life altering and, hopefully through our mourning, something that will evolve and become easier to bear over time. When someone dies, the need to connect with them still exists and perhaps, even though the power of the wind telephone is imaginary, the need it fulfills is very real.

I wrote to Mr Sasaki, who is now almost 90 years old. I wanted to thank him for the idea of the wind telephone and to ask him why he thought the concept had resonated so widely. To my delight, he responded. He wrote, “When you lose a loved one, the sadness is universal and remains the same in any country or time.” He also noted that loss enables us to embrace the magic realism of the wind telephone—because even if we can’t see or hear our loved one, we can feel them.

As part of my work facilitating grief writing workshops at Hospice, I’ve developed a writing exercise based on the wind telephone. During this exercise, I ask each participant to think about a loved one they have lost, and to write them a letter. It’s a writing exercise that brings up a lot of emotion, perhaps because the wind telephone letters reconnect us, or rather, remind us that we were never disconnected. That someone’s life has touched our own and we live on in relationship to them. That our very life is an ongoing conversation with those we have lost.

As a special part of this year’s Lights of Life, Hospice Yukon has brought a wind telephone to Whitehorse. As I mentioned, Hospice has many programs and services for supporting Yukoners living with loss, but if this offering speaks to you, perhaps it is worth considering how you might use the wind telephone.

Who would you speak to?

What would you say to them?

Has it been a long time or is the loss recent?

Maybe there are important things left unsaid between you.

Maybe you just want to talk about the kid’s report cards,

the cost of groceries or the light at midday on your favourite trail.

Maybe there is a lullaby to sing or something you can only speak

in a whisper with your eyes closed.

Maybe it would help to tell someone that you are trying your best.

Maybe you’d like someone to know how you’ve made them proud or how you understand things differently now.

Maybe you have no words and just want to hold the receiver to your ear, to enjoy connection in silence.

There is nothing too big or too small to bring to the wind telephone.

You can say hello or you can say goodbye.

You can talk about the past, the present or the future.

The wind will carry what you need to say and I hope that brings you some solace.

Hospice Yukon’s wind telephone is available until the morning of December 21 at the Elijah Smith Building. For more information on Hospice Yukon visit www.hospiceyukon.net or call 667-7429.

Journaling Workshop for Animal Companion Loss March 21 & 28, 2022

Clea will facilitate a journaling workshop with the wonderful folks at Hospice Yukon to help with the disenfranchised grief people sometimes feel after the loss of a pet or service animal. Here are the details:

Animal Companion Loss Journaling Group

The loss of a beloved animal companion can be as devastating as the loss of a human relationship. However, this grief is often not recognized for the profound impact it can have on our lives, making the grief that much more difficult to bear.

Journaling is a tried and true way to express and process our emotions. We are offering this two-part workshop, led by local writer Clea Roberts, and a Hospice Yukon group facilitator, to give those who are grieving the death of a pet the opportunity to learn journaling techniques, connect with others, and explore their grief through writing.

No prior journaling experience is necessary.

Thursdays March 21 & 28, 2022

7:00 - 8:30pm

Online via Zoom

To register: info@hospiceyukon.net

Grief Journaling Workshop Jan 14 and 21, 2021

On behalf of Hospice Yukon, Clea will facilitate the grief journaling workshop again Jan 14 and 21, 2021 from 7-9pm. Clea has redeveloped the grief journaling workshop for online delivery via Zoom. For more information and to register: https://hospiceyukon.net/Journalling_2021.pdf

Shortlisted for the HarperCollins/UBC Best New Fiction prize

Clea’s novel-in-progress has been shortlisted for the HarperCollins/UBC Best New Fiction prize.

Listen to an interview with Clea here: https://www.cbc.ca/listen/live-radio/1-81-airplay/clip/15797260-yukon-author-shortlisted-prize

The winner, chosen by CookeMcDermid and the editorial team of HarperCollins, will be offered representation by CookeMcDermid and a standard contract to publish from HarperCollins, with a negotiated advance. The shortlisted authors will all have the opportunity to engage in an editorial discussion about their work with a HarperCollins editor.

The contest, now in its sixth year, continues to attract submissions from UBC Creative Writing students and graduates, with a new record of 65 manuscripts this year. Rachel Letofsky, one of Cooke McDermid’s team of literary agents said, “We can’t wait to see what comes next for these authors! We were all so impressed with the quality of the submissions this year.”

Jennifer Lambert, Senior Editorial Director of Harper Collins Canada said, “What an impressive and accomplished shortlist we have here. We at HC are thrilled with the quality and number of submissions and response to the prize.”

The winner will be announced later this fall. The HarperCollinsPublishersLtd/UBC Prize for Best New Fiction is awarded bi-annually. The next opportunity will be in 2022.

The shortlist for the 2020 HarperCollins/UBC Best New Fiction Prize.

  • Tammy Armstrong: URSULA

  • Clea Roberts: GLADYS OWENS

  • Jasmine Sealy: A FAIR WIND TO TAKE YOU HOME

Publication Opportunity: Seeking Responses to the Land

Seeking Responses to the Land

The land in and around Tombstone Territorial Park, located in the traditional territory of the Tr’ondëk Hwëch’in, is a place of significant cultural importance, biodiversity and beauty. The area was first known as Ddhäl Ch'èl Cha Nän (“ragged mountain land” in the Hän language) and people also refer to it as Dempster Country or Joe and Annie Henry Land (in honour of the late Tr’ondëk Hwëch’in Elders who lived and travelled extensively in the area).

Has the land in and around Tombstone Territorial Park spoken to you in some way? If so, how do you respond? Have you observed different beings of the land interacting with each other? If so, what did this mean to you?

Some of us are relative newcomers and some of us have a deep ancestral tie to the land. Depending on how we experience the land—as hunter or gatherer, Elder or youth, scientist or artist, explorer or resident, gendered or non-binary, public servant or non-profit organizer, historian or journalist, BIPOC or settler, abled or disabled—we may respond differently. Like a biome’s flora and fauna, there are places where these different human experiences can intersect and influence.

You are invited to contribute a land-based response that speaks to the importance of the area in and around Tombstone Territorial Park. The land-based responses will be collected in a large format print book and/or online exhibition.

To give voice to the diversity of human response, the project is open to all perspectives, disciplines and forms of expression. Land-based responses suited to this project may emerge from:

  • Traditional knowledge as well as oral or written histories

  • The study of science (essays, illustrations, photographs, maps)

  • Creative writing

  • Sound and film

  • Traditional or contemporary art and craft (all forms)

  • Interviews, personal essays, journalism, recipes

  • Interdisciplinary collaboration

  • Any form of response inspired by the land

Indigenous and non-Indigenous contributors are welcome. If you would like to contribute, please contact Clea here, with a brief description of your land-based response. Final artwork, text and recordings will not be required until fall 2021 (date TBA).

Contributors whose works are selected for inclusion will be compensated based on available funding. Previously published or exhibited work will be considered.